In May 2026, as part of an overall effort to be more deliberate with my time, I made it a point to listen to music each day, averaging about 84 songs over 6 hours. Any song that grabs my attention is eligible for The Hideaway House Blend (which accounts for the overwhelming majority of my listening), and last month, 107 tracks were added to the playlist. Most recently, I added songs by Sweet (somehow I'd left "Love Is Like Oxygen" out when I added a dozen other Sweet favorites more than two years ago), The Motels (several tracks from their first two albums, Motels and Careful as my obsession with the voice of Martha Davis continues), and Kacey Musgraves (a couple of tracks from her newest album, Middle Of Nowhere). The month ended with 5563 songs in The Hideaway House Blend. I managed to listen to 2132 of them – about 38%. For May, those 2132 unique songs were scrobbled 2629 times. Seven songs tied for the most scrobbles* last month, while another forty-three songs were in a tie for second most scrobbles, so what we have here is The Hideaway 50, the fifty most scrobbled songs, aka the fifty songs I listened to the most last month. I had a minimum of 3 scrobbles on May 9th and a maximum of 172 scrobbles on May 22nd. The oldest track on the list is Del Shannon's "Runaway" from 1961, while the newest is Ella Langley's "Choosin' Texas" from 2025. One artist has two tracks on this month's countdown: Billy Ocean with "Love Really Hurts Without You" (#1) and "Loverboy" (#21). No songs repeat from the previous four 2026 countdowns, but five songs do repeat from the 2025 countdowns. The average release year for songs on The Hideaway 40 is 1987.
We had two unexpected, first-of-their-kind coincidences while playing The Hideaway House Blend on shuffle this month: One Wednesday afternoon, while waiting to pick the kids up from school and listening to the playlist on shuffle via the Vox app on iPhone, the 8:00 Murder Mix of Dead Or Alive's "You Spin Me Round (Like A Record)" played. When that mix ended, the single 3:16 edit version of the same song began playing. I have loaded several dozen musical "twins" (single edits/album versions and their respective remixes) in the playlist, but this was the first time a set of those twins played back-to-back. Then, on the last Friday afternoon of the month, while listening via the Sonos Music Library, "Tonight Is What It Means To Be Young" from the Streets of Fire soundtrack played only to be followed by "Blue Shadows" by The Blasters from the same album.
🎧🎧🎧🎧🎧🎧
This month's flashback returns us to May 2016, for The Hideaway 26. As evidenced by the abundance of 1979 songs on the list, I was deep into researching, ranking, and writing up the 1979 Hideaway 100 in May 2016. Another noticeable trend in my listening back then was the six extended or remixed tracks throughout the countdown. The two newest songs are from 2016, while the six oldest tracks are from 1978. If you need a track to blow the dust off and out of your car stereo system, I'd recommend pulling up the boomy glitch-hop of "Unstoppable" by Revolvr & Genisis feat. Splitbreed (#24) or "Sail (Unlimited Gravity Remix)" by AWOLNATION (#1).
🚨🚨🚨🚨🚨🚨BREAKING NEWS🚨🚨🚨🚨🚨🚨
Last.fm is independent once again!
Initially founded as a digital radio service in 2002, Last.fm has become independent again for the first time in almost 20 years, after spinning off from Paramount Skydance in May 2026. Paramount acquired the company when it purchased CBS Interactive, which had paid $280M for Last.fm in 2007. The company promised nothing would change with the scrobbling service and that everything would work "exactly as it did yesterday". We shall see. I signed up for an account in December 2006, though I wouldn't begin consistently scrobbling until I connected Spotify, Media Monkey, YouTube, and iTunes to my Last.fm account in 2013. Last.fm is where our scrobbles* are stored. If they go down, The Hideaway 20 goes down with it.
*When you play a track on a streaming service you've connected to Last.fm, it "scrobbles" that song and logs it to your profile for tracking. Every play is one scrobble.






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