In his 2006 book Rip It Up and Start Again, Simon Reynolds wrote about the British pop music scene as it crawled from the wreckage of the punk revolution. Written by a fan for fans of this golden age of pop that launched a second British Invasion of America AND led to one last resurgence of the pop single as the preferred medium of hit music, the wide-ranging scene played out weekly in the pages of the UK music tabloids and on BBC's Top of the Pops show. Referred to as post-punk (post punk? postpunk? There ought to be a manual, people) or new pop in the press, this music is generally what music fans refer to when they say they like the music of the Eighties. There was music after this new pop in the mid to late Eighties (I heard it and I bought it) but I'm fawning over this particular strain from 1979-1983 (no typo, just a tighter focus) today.
Jess Harvell wrote about this period in pop history with a September 2005 listicle for Pitchfork titled Now That's What I Call New Pop! Before he begins listing the songs below, he passes on this advice to his readers:
If my canonical but still highly subjective overview whets your appetite, you can read 500 more pages of new pop (and post-punk) history in Simon Reynolds' Rip It Up and Start Again.
Here's Jess Harvell's 40-song playlist for the imaginary Now That's What I Call New Pop! album. Notably, a few of these songs have already appeared on Now That's What I Call Music! compilations. Well, not so notably that I'm going to look it up and let you in on which ones. If you know, you know. #nowforever
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